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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond at Leeds during 1977

The talented musician, a key member of the pioneering 1980s electronic music band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the pair achieved a global success with their version of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is regarded as a seminal work of synth-pop.

He later founded the innovative electronic act The Grid, who secured popular acclaim with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

During that performance, Ball appeared in a wheelchair, as he had for the last two years, after a spate of ill-health.

"I ended up damage myself quite a bit," he commented in a recent interview. "I broke spinal bones in my spine and fractured about five ribs and broke my wrist."

After contracting a lung infection and suffering from blood poisoning, he was placed in an medically-induced sleep and stayed in hospital for half a year.

Nevertheless, he had been in "a great place mentally" during the summer, as he was developing a new album with Almond, called Danceteria, which is set for publication next year.

"He was focused and very pleased with the new album that we actually completed only a short time ago," said the singer in a tribute.
"It's so sad as next year was completely planned to be such an positive time for him, and I find comfort from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the early 1980s

Tributes

Almond described his collaborator as "an exceptionally talented creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense aspect of my existence and for the songs you created with me. I couldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "steadfast support".

"Being in a duo with someone is distinct from joining a group, the bond is incredibly close," he added.
"That's how it was with us. We went through so many extraordinary, extraordinary, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Brought into the world into a single-parent household in Chester in 1959, Ball was put up for adoption when he was a year and a half old.

He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who altered his first name from his birth name to David, together with his younger sister Susan, who was also adopted.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying art. Inspired by a mutual passion of Northern Soul, they established Soft Cell the very year, and quickly produced an EP.

Musical Partnership

The pair were an distinctive combination: Ball was the quiet technician, bent over his keyboard, while Almond was a charismatic performer, all glitter and makeup; but they achieved a rare musical alchemy.

Ball had developed a interest with synthesizers after viewing Kraftwerk perform on a television program a popular series, and began to combine moody electronic sounds to the catchy tunes Almond was composing.

Tainted Love became the United Kingdom's second biggest-selling song of 1981, shifting 21 million units worldwide. Alongside successful tracks by Gary Numan, contemporary bands and electronic acts, it helped cleared the path for the synth-pop sound of the 1980s.

The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were developing new material right up until Ball's passing

Professional Journey

Fame had its benefits. "I loved being able to purchase my first home, having financial security and travelling, which makes me sound like a beauty queen," Ball recently told with a music magazine.

But it also caused challenges. "Sudden riches allowed we could purchase substances to relieve the boredom" of media interviews and TV performances, Ball explained.

"I realize that's a common saying, but it's a truism for a good reason, because it works for so many bands."

During the party-filled existence, the duo were also growing distant, but they succeeded to create a second classic album - the unconventional, edgy and aptly-titled The Art Of Falling Apart.

They released one more album, 1984's This Last Night In Sodom, before dissolving the group to concentrate on other projects.

Almond proceeded to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, producing the charting album Cruelty Without Beauty.

Following another hiatus, they returned in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the large venue on September 30, that year.

However, they stayed together, recording their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball lately described the band's upcoming release as a homage to the New York club scene they visited while making their first two albums.

He noted that his time in hospital had influenced the group's music.

"I had strange recollections when I was in and out of hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a electronic representation of the noises in my head from that time.
"Simultaneously, it's about the times me and Marc had in the 80s."

The last versions were completed only a short time before Ball died. It is due for launch in the spring of 2026.

About the author

Lisa Campbell

A tech-savvy writer and lifestyle enthusiast passionate about exploring how innovation intersects with everyday life and personal development.

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